My first boudoir photo-shoot began with a lot of nervousness, self-doubt and creative blocks. For the first quarter of an hour I had no clue what I was doing. I was rushing all the theories on monochrome boudoir in my mind that I had ever read; and I was asking my model, LM, to copy poses from photographs I randomly recalled from memory.
Gradually after about a dozen shots, I decided to go back to the basics of composition, light and shade dynamics and the classical techniques of figure drawing. Coupled with selective improvisation to the specific conditions of the location, I applied these very basic understandings of the human body, to create an ample collection of boudoir/noir nude photographs.
I followed the natural reactions of my model to the lens for the rest of the hour and tried to capture her raw expressions with very little guidance and manipulations. By putting extra emphasis on the series of points of interaction between the sunlight and the shadows on my model’s body (including in the post-production), I was able to overcome the technical and conceptual barriers of composition, controlling the light and posing my model to produce the following collection. What started out as a nervous experiment finished as an expressive and confident series of boudoir photographs.