For me, photography is all about being passionate about the art form and stubborn about getting the results you imagined. So despite the unprecedented once-in-a-century circumstance of the pandemic and the physical distancing, I did not let photography take a back seat. On days of strict lockdown, I spent hours studying theories, reading books on various techniques and sweeping through hundreds of pictures taken by the great masters of the trade. And when the lockdown relaxed, I regularly went out with my new Nikkor 50mm 1.8 prime lens and put all the theories I learnt to practice.
Portrait photography was a genre that preoccupied my conscience the most, and I focussed a lot of time and energy on upskilling myself in this. For that, I arranged and went out for many portrait shoots over the spring and summer of 2020. These shoots, along with my theoretical brainstorming, helped me shift gears in my photography techniques and offered me a life-altering experience. I followed my usual natural style of accentuating my subject through light and shadow play and tried to freeze the moment. Not only did I try to freeze the moment, but I tried to elongate that moment in my pictures. Natural lighting made it more tricky and even unpredictable at times, but the challenge was well accepted.
Overall, these portraits provided me with an artistic and philosophical release from the caging boundations of a rapidly changing and unpredictable world. It helped me pen down a poem of sorts through shutter clicks (or at least I think so). I am not sure whether these portraits collectively give a poetic or any philosophical direction to my art in any way, but it definitely made me think deeper about the practice of my art and the path that I want to follow in the years ahead keeping portraits as one of the key genres of learning and exploration.